Ryan Gosling’s meticulous planning behind ‘I’m Just Ken’ performance, from Marilyn Monroe inspiration to cameraman kiss
Apr
How Ryan Gosling Crafted Every Detail of His Show-Stopping ‘I’m Just Ken’ Performance, Drawing Inspiration from Marilyn Monroe to Choreographing a Kiss with the Cameraman.
Ryan Gosling’s electrifying rendition of “I’m Just Ken” at the Oscars wasn’t just a spur-of-the-moment decision; it was meticulously planned down to the last detail. With a 40-piece orchestra, 62 dancing Kens, 24 gigantic Barbie heads, and a surprise appearance by Guns N’ Roses, Gosling turned his performance into an unforgettable spectacle that left audiences in awe.
Amidst the speculation surrounding Gosling’s potential performance, news broke in late February confirming his appearance. However, behind the scenes, discussions between Gosling and Oscars producers had been ongoing for months. Molly McNearney, one of the show’s producers, revealed that Gosling had been deeply involved in the planning process, along with input from director Greta Gerwig and choreographer Mandy Moore.
Gosling’s decision to pay homage to Marilyn Monroe’s iconic performance of “Diamonds Are a Girl’s Best Friend” from “Gentlemen Prefer Blondes” was a pivotal moment in shaping the performance. The pink suits, black attire, stairs, and even the presence of “Ken-delabra” men were all inspired by Monroe’s classic number.
According to Moore, Gosling had a clear vision for the performance from the outset. He meticulously mapped out each movement, from his entrance through the audience to the grand finale with Slash. Gosling’s goal was not only to entertain but also to engage the entire audience and get them singing along, as per Gerwig’s wish.
Incorporating cameos from Margot Robbie, Greta Gerwig, and America Ferrera was another crucial aspect of Gosling’s performance. He wanted to involve these leading ladies in the front row, adding to the inclusive nature of the spectacle.
Every aspect of the performance, including the Busby Berkeley-inspired sea of Barbie heads and Gosling’s kiss with the cameraman’s hand, was carefully choreographed and rehearsed. Moore recalled Gosling’s consideration for the cameraman’s comfort, ensuring that the kiss was consensual and in line with the theme of Ken love.
Rehearsals began weeks in advance, with Gosling tirelessly perfecting his vocals and dance moves. The addition of “cameo Kens” like Simu Liu and Kingsley Ben-Adir added an extra layer of excitement to the performance, showcasing the camaraderie among the cast.
Despite the intense preparation, the final performance exceeded expectations, receiving praise from co-stars and audience members alike. Gosling’s backstage reaction mirrored the sentiment of the crowd’s enthusiasm, highlighting the success of his meticulously planned performance.
In the end, Ryan Gosling’s “I’m Just Ken” was more than just a musical number; it was a meticulously crafted homage to Marilyn Monroe and a testament to Gosling’s dedication to his craft.
